Greek art sets
a benchmark for Western civilization endure to
this day. The ancient Greek
models are regarded as classics and canons sculptural
and architectural styles have been recreated
over and over again throughout the history of the West. To speak of Greek painting is necessary to refer to
ceramics, since precisely in
decorating vases, plates and
bowls, whose marketing was a
very productive business in ancient Greece, where he was able to develop this
art.
Early designs were elementary geometric forms-hence the name of the geometric receive this first period (ninth and eighth centuries BC.) - That just stood out above the surface.
Early designs were elementary geometric forms-hence the name of the geometric receive this first period (ninth and eighth centuries BC.) - That just stood out above the surface.
SCULPTURES:
The first Greek
sculptures were taking place in the ninth century
BC. Firstly sculptures were small human
figures made very malleable materials such
as clay, ivory or wax. It was not until the Archaic period on the seventh and sixth centuries BC. There was where Greeks began to work the stone. The most common of the early works were
simple statues of boys named kouros and girls
who were Kores. Smooth, rounded shapes,
these figures in stone plasmaban a beauty ideal.
These figures bore a strong resemblance to the Egyptian sculptures that served as a model. With the arrival of classicism V and IV centuries BC., Greek statuary was taking a character and finally abandoned the primitive oriental patterns. By studying the ratios could copy faithfully the human anatomy and faces definitely gained in expressiveness and realism.
These figures bore a strong resemblance to the Egyptian sculptures that served as a model. With the arrival of classicism V and IV centuries BC., Greek statuary was taking a character and finally abandoned the primitive oriental patterns. By studying the ratios could copy faithfully the human anatomy and faces definitely gained in expressiveness and realism.
Greek painting:
The
last major school of Greek pottery painting was red-figure, in which the black-figure technique was reversed:
orange silhouettes were formed by painting around them in black, allowing
interior details to be painted rather than incised. This gave the artist much
more control in drawing smooth curves or varying the thickness of lines when
adding details. It also allowed for gradients of colour, since the black paint
could be diluted to acquire shades of brown.
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